Filters include “black & white,” “sepia,” “night vision,” “X-ray,” “old film” and more. The effects library includes a number of preprogrammed filters that you can use to give your video a distinct look. They’re good for what they do, but they don’t go far. You can crop the frame of your footage, pan and zoom, add motion blur and adjust picture values such as hue, saturation, exposure and more. The library of visual effects and transitions in VideoPad is quite basic. Other editing programs provide a simpler, cleaner way to get things such as titles, credits and other text into your projects.

Clicking the “add text” or “add title” buttons launches a separate editing window where you input your text and design how you want it to look. Getting text on your videos is more complicated than it ought to be. If a project is complex, like a music video or film would be, you’ll need more room. Most simple projects won’t call for more than two audio tracks, making VideoPad great for things such as home videos. We like that versatility because it only makes you pay for what you need.

The Master’s Edition gives you unlimited audio tracks. The Home Edition gives you unlimited video editing tracks but only two audio tracks. The amount of audio tracks you get in VideoPad depends on how much you pay for it. If your project calls for a lot of visual elements, you’ll need as many tracks as possible. That’s outstanding for complicated projects because it makes the program quite versatile. VideoPad gives you unlimited video tracks to work with. The two modes complement each other because you can lay out the general idea of your project in storyboard mode and do the fine-tuning in the timeline. Those who have edited video before will be familiar with VideoPad’s timeline and storyboard workflow.

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